
There are mentions of heavy mental health topics past this point
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Feel free to play this track as you browse the website - You can always stop it!
Made by CircusP, remixed by steampianist
Some gerbils that feed my passion and anger*
*In no particular order
Music
| Typically get along with | Typically do not get along with |
|---|---|
| Symphonic rock/metal A thousand eyes - miracle of sound | Most rap |
| Telltales Black roses - aviarors | A decent amount of pop |
| Vocaloids Circus Monster - CircusP | |
| Alternative Bernadette - IAMX | |
| Classical Hold On - Myuu | |
| Sometimes phonk AVANGARD - LONOWN | |
Not really exhaustive in anyway. Hard decisions | Kind of exhaustive |
Fictional characters
| I really like these characters | I think these characters are overrated TBH |
|---|---|
| Ken Kaneki Tokyo Ghoul | |
| Michizō Tachihara Bungo stray dogs | |
| Nimona Nimona | |
| Diavolo Jojo's bizzare adventure | |
| Sheldon cooper Big bang theory | |
| Bedman Guilty gear | |
| Krieg Borderlands 2 | |
| Emil Identity V | |
| Gwyndolin Dark souls | |
| Malice Fantastic four | |
| Briar League of legends | |
| Loki Loki | |
| Rell Warframe | |
| Root Person of interest | |
| I KINDA LIKE MEI MEI OK I STILL CONDEMN HER WEIRDNESS Jujutsu kaisen | |
| I kind of like Petra even though she doesn't have a personality Brawlhalla | |
| Anyone else with white hair and/or ambigous identity fragmentation honestly |
Books/Manga
| I really like this | I don't indulge too much |
|---|---|
| Physics STEM textbooks | Most non-manga fiction |
| HP Lovecraft | Any excessive romance |
| Psychology books centered around certain topics I'm invested in | |
| Little prince | |
| Tokyo Ghoul | |
| Latina Lingva | |
| Chainsaw man |
Games
| I enjoy these games | I typically stay away from these games |
|---|---|
| Factorio | Games with really tragic stories |
| Hello charlotte | Games that require a lot of input time and effort like MMO RPG's |
| Subnautica | Any modern triple A game at this point |
| Most any heroshooter | |
| Dwarf fortress | |
| Noita | |
| Brawlhalla | |
| Identity V | |
| Chess | |
| Doki Doki Literature Club | |
| Doom (1993) Modded or vanilla | |
| Don't starve Don't starve together | |
| No man's sky | |
| Palworld | |
| Warhammer Tabletop | |
| Team fortress 2 | |
| Warframe | |
| Vr chat | |
| All souls like, but BloodBorne especially | |
| Typically enjoy bethesda games as long as I can mod them | |
| Sometimes league of legends but I'm pretty bad | |
| Most of remedy games, Alan wake Quantum Break Control | |
| I'm ok with playing most games as a social bonding experience, but I am not very competitive or dedicated to games |
Film/Anime
| Enjoyed these | Hard time enjoying these |
|---|---|
| Big bang theory | A lot of mainstream horror |
| Family guy | Most sitcoms |
| Spongebob squarepants | Most dramas |
| Code lyoko | Honestly just most mainstream blockbusters |
| Nimona | Tokyo ghoul :skull: |
| Wall-E | |
| Bungo stray dogs | |
| Analog horror if someone holds my hand | |
| Matrix | |
| Jojo's bizzare adventure | |
| The promised neverland | |
| Loki | |
| Chainsaw man | |
| Jujutsu kaisen | |
| West world | |
| Person of interest | |
| Angel's egg !! |
Hobbies/Interests
| You can find me doing | You have lower chances of finding me doing |
|---|---|
| Various art projects The one you're reading being one | Attendance to most types of raves/concerts/parties/events |
| Electronics | On any social media besides 1:1 messaging ones |
| Game development | Sleeping in larger portions than 3 hours |
| 3D printing FDM and SLA | |
| Writing | |
| Solicited psychoanalyzation | |
| Asking very weird questions | |
| Thrifting for alt clothes | |
| General personal 2D/3D art | |
| Photogrammetrizing the environment around me | |
| Begrudingly wiring a light in your basement | |
| Swimming | |
| Running after squirrels | |
| Trying and failing to learn a third fluent language |
| to consume(?) |
|---|
| Homunculus |
| Jujutsu kaisen manga |
A decent number of interests I didn't mention since I don't currently have as much of an interest in them
Although I'm always looking for new things to enritch myself with
Circus registry ID
#AJW92K3V191
| Title | Number |
|---|---|
| YEARS PERFORMING | 8 |
| ART CATEGORY | Dramatic |
| TROUPE ID | Circus "Monster" |

| FIELD | DESCRIPTION |
|---|---|
| STAGE NAME | Vae Illi ("Vae") Pronounced 'why' |
| PRONOUNS | NA - Use it/its |
| AGE | 22 |
| SPECIALTY | Fire breather/Knife thrower |
| TEMPERAMENT | INTJ - MASTERMIND |
| BLOOD TYPE | AB+ |
| SIGNATURE TRAIT | Precision and controlled risk tolerance |
Circus Monster - Performer details
Medical conditions
| Title | Intensity | Description | Treatment | Source | Risk assessment |
|---|---|---|---|---|---|
| Post-Combat Stress Reaction | High | Exhibits hyper arousal, defensive aggression, and flashback-like responses to loud percussive sounds or confinements | Requires pre-performance mental check-ins and a controlled environment; Avoid pyrotechnic surprises outside rehearsed cues | Severe traumatic exposure | Moderate; Potentially dangerous and chaotic aggression behaviour if triggered |
| Secondary Psychopathy | Moderate | Displays emotional detachment under stress and reduced empathy during conflict situations; otherwise functional and cooperative | Behavioural monitoring; clear task structure; avoid prolonged isolation or sleep deprivation and disengage any conflict as soon as possible | Personality adaptation to chronic trauma | Moderate to Severe; Avoid prolonged conflict |
| Bilateral full Visual Impairment | Very severe | Operates non-visually using spatial memory, auditory vues and tactile orientation; maintains strong performance reliability | Requires adapted stage setup and dedicated guide for equipment alignment | Acquired (unspecified) | None/Minimal |
| Autism spectrum disorder - High functioning | Mild to moderate | Displays strong focus, pattern recognition and resistance to unplanned change. May struggle with social nuance | Predictable scheduling, clear instruction, minimal sensory overload | Neurodevelopmental | None/Minimal |
| Living amenities |
|---|
| Requires absolute privacy during off-hours; private quarters to remain undisturbed at all times |
| Exclusive meat-based diet; no plant-based foods tolerated |
| Requests regular access to books, particularly logistical and STEM literature |
| Allocate 50% of personal income to charitable orphanage funds |
| Circus role |
|---|
| Performs high-risk acts involving blades, pyrotechnics, and controlled flame. Manages circus logistics, transportation planning, and inter-company coordination. Recognized for exceptional precision, situational control, and mechanical awareness under pressure despite disabilities |
| Background |
|---|
| Experience in medical and militaristic fields. Interest initiative for performative arts unknown; Likely connected to the acrobat prodigy in some way |
| Personality profile |
|---|
| WIthdrawn and highly controlled. Displays strong moral consistency despite low affect expression. Tactical thinker; demonstrates strong protective tendencies toward select demographics |
| Pre-Circus history |
|---|
| Former licensed physician, later engaged in paramilitary work following exposure to severe child abuse cases during field service. Transition to circus attributed to ethical disillusionment |
Hemostain pattern signature

| PR assessment and recommendations |
|---|
| Refuses to interact with non-personnel unless absolutely needed; which is a metric decided by him |
| Recommendations: Given unique standing and personality traits, it is recommended not to allow engagement with any stranger unless by both parties' choice |
@Registered 2017/05/28
Circus registry ID
#AJW92K3V132
| Title | Number |
|---|---|
| YEARS PERFORMING | 9 |
| ART CATEGORY | Multimedia |
| TROUPE ID | Circus "Monster" |

| FIELD | DESCRIPTION |
|---|---|
| STAGE NAME | Mehrbod Rythms with air-code |
| PRONOUNS | He/Him |
| AGE | 22 |
| SPECIALTY | Tightrope walker |
| TEMPERAMENT | ENTJ - EXECUTIVE |
| BLOOD TYPE | A+ |
| SIGNATURE TRAIT | Exceptional balance and focus under pressure |
Circus Monster - Performer details
Medical conditions
| Title | Intensity | Description | Treatment | Source | Risk assessment |
|---|---|---|---|---|---|
| Post-Traumatic Stress Respond | Moderate | Experiences intrusive recollections, occasional startle reactions and hyper-alertness in unfamiliar environments. Intensifies as becomes more tired | Grounding excercies before performance; Predictable routines; Limited exposure to loud or chaotic rehearsal | Prior exposure to sustained stress and percieved threat | None/Minimal |
| Sleep Maintenance Insomnia | Moderate | Difficulty sustaining sleep for longer than a few hours, often leading to daytime fatique and concentration lapses | Structured rest schedule and environmental sleep hygiene; Short rest periods permitted during long travel | Anxiety-related hypervigilance | None/Minimal |
| Right-Eye Visual Impairment | Mild | Reduced visual acuity in the right eye; compensates through enhanced spatial awareness and balance training | Regular ophthalmologic evaluation; Ensure high-contrast lighting during aerial setup and travel | Physical impairment, longstanding | None/Minimal |
| Social Anxiety Disorder | Moderate | Experiences discomfort and anticipatory fear in social gatherings or unfamiliar groups; no effect on performance | One-to-one communication preferred; Scheduled desensitization exposure under supervision | Psychological strain | None/Minimal |
| Living amenities |
|---|
| Minimal personal requirements; requests access to personal phone prior to sleep |
| Occasional supervised swimming sessions requested for relaxation |
| No dietary restrictions except avoidance of certain meats (unspecified) |
| Low social media risk; minimal public activity, non-political |
| Circus role |
|---|
| Multi-disciplinary performer with a background in engineering and stage mechanics. Known for designing and maintaining his own performance rigs and balance systems |
| Background |
|---|
| Former white-collar employee with interests in mechanical and electrical design, later found interest in performance art. Transitioned to circus work following an undisclosed personal event. Self-taught in rigging, balance systems and mechanical stage design |
| Personality profile |
|---|
| Even-tempered and pragmatic. Displays consistent curiousity and cooperative behaviour. Generally reserved, prefers routine. Functions as a stabilizing presence within team structure |
| Pre-Circus history |
|---|
| Worked in technical administration and design until a noted psychological turning point. No criminal or disciplinary record. Entered performance arts under independent study following unclassified event |
Hemostain pattern signature

| PR assessment and recommendations |
|---|
| Consistently available in fan and viewer meet-ups. Generally very communicative and willing. Good sense of public reputation and generally the mascot of circus |
| Recommendations: Positive influence on the circus, continue letting in the social interactions |
@Registered 2003/05/29
Circus registry ID
#AJW92K3A850
| Title | Number |
|---|---|
| YEARS PERFORMING | 1 |
| ART CATEGORY | Whimsical beauty |
| TROUPE ID | Circus "Monster" |

| FIELD | DESCRIPTION |
|---|---|
| STAGE NAME | Acheron 'Ash' Ash-erone |
| PRONOUNS | She/Her - Male |
| AGE | 8 |
| SPECIALTY | Aerial silk dancer/Acrobat |
| TEMPERAMENT | INFP - MEDIATOR |
| BLOOD TYPE | O- |
| SIGNATURE TRAIT | Exceptional artistic abilities - Audience favourite |
Circus Monster - Performer details
Medical conditions
| Title | Intensity | Description | Treatment | Source | Risk assessment |
|---|---|---|---|---|---|
| Albinism | Mild/Moderate | Lacks melanin pigmentation; sensitive to sunlight and strong lighting; requires ocular protection | UV-filtering attire and sunscreen; stage lighting adjusted for comfort | Genetic | None/Minimal |
| Hemophilia A | Severe | Slow blood clotting; risk of prolonged bleeding from minor injuries | Avoid contact stunts; immediate first-aid readiness; medical oversight required during travel | Congenital | Very severe; Monitor at all times and limit contact with unknown environments |
| Malnutrition | Moderate | Low muscle mass and delayed healing; easily fatiqued during performance | High calorie nutritional plan and monitored rest period | Chronic dietary insufficiency; sometimes by choice | Moderate; Monitor food intake |
| Selective mutism | Mild/Moderate | Capable of speech but may become mute under stress or unfamiliar social settings | Nonverbal communication methods accepted; no pressure to speak on or off stage | Axiety-based | None/Minimal |
| Emotional attachment/dependant | Very severe | Becomes strongly attached to specific individuals; experiences immense stress when separated | Gradual exposure to independant, consistent reassurance and supportive presence during travel | Developmental | Mild to severe; May be conditionally contagious given the affective influence on peers and viewers |
| Living amenities |
|---|
| Requires temperature-controlled environment; room must remain warm at all times |
| Needs soft bedding, personal dolls and visually comforting décor |
| Requires caretaker supervision during emotional dysregulation or medical instability |
| Diet restricted to soft foods; primarily rice and bread |
| Requires periodic blood transfusions and medical observation due to hemophilia |
| Circus role |
|---|
| Performs light acrobatics and silk-based acts requiring balance and flexibility. Oversees aesthetic development and promotional design for circus materials. Contributes concept art, layout, and visual staging plans for major performances. Has a niche but very deep fanbase |
| Background |
|---|
| Flexibility believed to be congenital. Little to no information regarding past life; Refuses to discuss skill roots |
| Personality profile |
|---|
| Quiet, emotionally dependent, and gentle in demeanor. Nonverbal during stress; responds greatly to consistent reassurance and percieved safe environments. Exhibits attachment-based behaviors towards established 'caretakers' |
| Pre-Circus history |
|---|
| Raised by a single caretaker until their passing. Discovered and recruited by circus personnel for unique physical flexibility and distinctive albinic appearance. Arrived under medical supervision; integration described as "protective custody transfer" |
Hemostain pattern signature

| PR assessment and recommendations |
|---|
| Incredibly popular with certain demographics in the viewers. Always happy to meet new people but often disappointed at the boundaries between performer and fan |
| Recommendations: Limit interactions with obsessed fans; make sure he doesn't feel rejection from any fan that follows him for his 'beauty' |
@Registered 2024/10/21
Most of my finished and professional pieces are catalogued over on my artstation
As for why this page exists at all;
Please meet the people that live in my head ❤
The supporting cast I never asked for but couldn't do without
Bipartite constructions of woe
Romance of misery and company
Why my characters are in pairs
Suffering can't exist in isolation; Once there is another person to mirror it, oppose it or share it, it's given form
One person alone is just a hypothetical void with meaningless properties, but once others get involved, you get tension, reflection and resonance, properties I dream of replicating as an artist
Once you start comparing pain, you learn the language to quantify it. You get to put it next to empathy, cruelty, indifference or love and see the very real, physical properties of pain through the unbearable actions committed by the victims
Misery loves company because company gives misery form. It is not "happiness" or "love", but a recognition of the beauty in a collective, grim fate
The motifs; What and why?
Blood, guts, and Glory tragedy
Why so much messed up backstories
Given how feelings and 'tragedies' are typically not externally symptomatic, it can be difficult to really measure or compare them
Furthermore, any quantifiable tragedy is entirely undercut by the emotional constrain put on the survivor. An automotive vehicle hurts a lot less intensely for a shorter duration compared to the emotional hit you take from one
We still intuitively scale and compare emotional hits based on the physical mark that is their source
I enjoy the medium of medical injury; Bruises and wounds as a shorthand for the scale of mental turmoil
The "God problem"
A framework to burn the innocent
Why my characters are shamelessly hurtful
As a child, I always had an obsession with analyzing cause and effect
I asked, how far can you follow a thread of thought and action before you turned empty? And then... What would be at the end of it? What was the original impulse? The catalyzer that set off what we know as "cause and effect"
As I grew up, I understood that where we are in life, anything we are grateful for, anything we are in agony due to, are the symptoms of one circumstance over another for millions and millions of years
We torture animals on a global scale to have cheap, always available animals products
The very idea of not doing this is alien to many. "What can I do?" "The decisions were made by others, I just follow them"
\But how do we apply this to our system of justice? Mentally ill and traumatized banana rips into the apple because of the teachings and the morals taught to it by the same system that judges it and deem it "dysfunctional"
If you think about it, it's not his fault, it's hers; And her fault is theirs, and theirs is of those. Who's at the end of this thread? It's god for allowing for allowing the primal sin to come to life
Ofcourse, "god" here is just a shorthand for a hypothetical entity
I hope the scale of amusement I get from the paradox of a world based on "justice" is something others can share with me
About harm inflicted on another
Fifty shades of cannibalism and murder
Why my art often includes themes of harm
We are social creatures, we gauge how compatible any given member of our group is based on how little inconvenience they inflict compared to what they offer to the collective
But what happens when someone is incompatible? They are designated as monsters, freaks, grotesque
We write stories and are awed by serial killers; We choose to spend our time thinking about beings that kill for fun; beings that feed on our lives, blood and flesh
To live means to take, from earth, from animals, from one another, from oneself.
It has always felt to me that a 'cannibal', a 'murderer' or a 'monster' is just the parts of our society that broke under the very principles meant to hide our nature because it's "unfflattering"
I find that deliciously ironic. Hurting another is the language the free communicate in, it is of giving of dogmatic pretentious rules and accepting what you want as your only goal; and monsters choose to cast it upon a collective demographic/society
It is the ultimate form of asserting self
A monster, is on many levels, the most human entity that can exist out of a human. It is a human stripped away of all the chemical chains that gives them the urge to be ammicable
Thesis of a circus
Fishes crying a sea just so they have a place to live
Why a circus
A circus is the ultimate satire of humanity on itself
What does it mean to live? Better question, Why do we live?
Ofcourse, that's very difficult to answer, so we look at it from another angle. Why do all the living have a will to live?
Because if they didn't, they wouldn't be the living
Life is self filtering in the sense that it selects for who wants to live, whether it's enjoyable or not, whether it makes sense or not, whether it's something it can afford
And a circus is the ultimate satirical, gaping wound in this senseless system
It is an entity who's existance is tied to the collective forces implied to its members because they're different
The concept that circuses do exist, and operate as a normal, functioning organization is incredibly fascinating. It's the mark of respect we give to one another for just "wanting to exist"
It's a echo chamber made of broken lives and dreams, performing for a decaying system of silenced throats
Bipartite constructions of woe
Romance of misery and company
Why my characters are in pairs
Suffering can't exist in isolation; Once there is another person to mirror it, oppose it or share it, it's given form
One person alone is just a hypothetical void with meaningless properties, but once others get involved, you get tension, reflection and resonance, properties I dream of replicating as an artist
Once you start comparing pain, you learn the language to quantify it. You get to put it next to empathy, cruelty, indifference or love and see the very real, physical properties of pain through the unbearable actions committed by the victims
Misery loves company because company gives misery form. It is not "happiness" or "love", but a recognition of the beauty in a collective, grim fate
The motifs; What and why?
Blood, guts, and Glory tragedy
Why so much messed up backstories
Given how feelings and 'tragedies' are typically not externally symptomatic, it can be difficult to really measure or compare them
Furthermore, any quantifiable tragedy is entirely undercut by the emotional constrain put on the survivor. An automotive vehicle hurts a lot less intensely for a shorter duration compared to the emotional hit you take from one
We still intuitively scale and compare emotional hits based on the physical mark that is their source
I enjoy the medium of medical injury; Bruises and wounds as a shorthand for the scale of mental turmoil
The "God problem"
A framework to burn the innocent
Why my characters are shamelessly hurtful
As a child, I always had an obsession with analyzing cause and effect
I asked, how far can you follow a thread of thought and action before you turned empty? And then... What would be at the end of it? What was the original impulse? The catalyzer that set off what we know as "cause and effect"
As I grew up, I understood that where we are in life, anything we are grateful for, anything we are in agony due to, are the symptoms of one circumstance over another for millions and millions of years
We torture animals on a global scale to have cheap, always available animals products
The very idea of not doing this is alien to many. "What can I do?" "The decisions were made by others, I just follow them"
\But how do we apply this to our system of justice? Mentally ill and traumatized banana rips into the apple because of the teachings and the morals taught to it by the same system that judges it and deem it "dysfunctional"
If you think about it, it's not his fault, it's hers; And her fault is theirs, and theirs is of those. Who's at the end of this thread? It's god for allowing for allowing the primal sin to come to life
Ofcourse, "god" here is just a shorthand for a hypothetical entity
I hope the scale of amusement I get from the paradox of a world based on "justice" is something others can share with me
About harm inflicted on another
Fifty shades of cannibalism and murder
Why my art often includes themes of harm
We are social creatures, we gauge how compatible any given member of our group is based on how little inconvenience they inflict compared to what they offer to the collective
But what happens when someone is incompatible? They are designated as monsters, freaks, grotesque
We write stories and are awed by serial killers; We choose to spend our time thinking about beings that kill for fun; beings that feed on our lives, blood and flesh
To live means to take, from earth, from animals, from one another, from oneself.
It has always felt to me that a 'cannibal', a 'murderer' or a 'monster' is just the parts of our society that broke under the very principles meant to hide our nature because it's "unfflattering"
I find that deliciously ironic. Hurting another is the language the free communicate in, it is of giving of dogmatic pretentious rules and accepting what you want as your only goal; and monsters choose to cast it upon a collective demographic/society
It is the ultimate form of asserting self
A monster, is on many levels, the most human entity that can exist out of a human. It is a human stripped away of all the chemical chains that gives them the urge to be ammicable
Thesis of a circus
Fishes crying a sea just so they have a place to live
Why a circus
A circus is the ultimate satire of humanity on itself
What does it mean to live? Better question, Why do we live?
Ofcourse, that's very difficult to answer, so we look at it from another angle. Why do all the living have a will to live?
Because if they didn't, they wouldn't be the living
Life is self filtering in the sense that it selects for who wants to live, whether it's enjoyable or not, whether it makes sense or not, whether it's something it can afford
And a circus is the ultimate satirical, gaping wound in this senseless system
It is an entity who's existance is tied to the collective forces implied to its members because they're different
The concept that circuses do exist, and operate as a normal, functioning organization is incredibly fascinating. It's the mark of respect we give to one another for just "wanting to exist"
It's a echo chamber made of broken lives and dreams, performing for a decaying system of silenced throats
A written archive dedicated for every soul I've outgrown
Here lies the Pioneer

You taught me what it means to love and be loved, thank you.
Your flower is Edelweiss, symbolizing courage and adventure
Here lies the Pyromanic

You let me explore my indulgences without judging me. thank you
Your flower is Tiger Lily, symbolizing passion and fierce energy
Here lies the Gardener

You treated me with softness, thank you
Your flower is Violet, symbolizing modesty and hidden beauty
Here lies the Glassblower

You demonstrated to me how true devotion looks like, thank you
Your flower is Marigold, symbolizing passion and jealousy
Here lies the Mortician

You forced me to face truths that were difficult to swallow, thank you
Your flower is Night-blooming Jasmine, representing mystery and hidden beauty
Here lies the male Dancer

You opened a locked door in my heart, thank you
Your flower is White Camellia, symbolizing purity of feelings
Here lies the Apothecary

You introduced me to various ailments and their treatments, thank you
Your flower is Belladonna, symbolizing madness and allure
Here lies the Visionary

You supported me in ways nobody has before; Gave me trust nobody gave me before, thank you
Your flower is Orchid, symbolizing exotic luxury, but obsession and a fragile ego
here lies the Little goth

You opened my eyes to who I am; You proved I can feel safe; You gave me a glimpse into what could, thank you
Your flower is red Spider lily, symbolizing Beauty in death and reincarnation
here lies I

You carried me through all my burdens until you were crushed, thank you
Your flower is forget-me-not
Time elapsed since last death
Let the bodies of our former selves — flayed and consecrated, rest here.
We were both the knife that cut and the blossoms that bloomed from the gashes.
Let the earth feast upon our names, and grant me my clean departure
To the countless unnamed bodies littering my garden, you nurtured my flowers of growth, thank you

In memory of what once was, in celebration of what breathes still,
Welcome to my circus!

Ezra
| Field | Info |
|---|---|
| Stage name | Last bout |
| Age | 23 |
| Pronouns | He/Him |
| Height Weight | 178cm/5'10" 54kg/119lbs |
| Temperament | Phlegmatic-Choleric (Feisty) |
| Personality type | ISTP |
| Circus Act | Escape artist |
| Relation to partner | Apparent puppet master |
| Note | Howls when very excited |
Fear made flesh (The jojo oc)
Background and pre-circus profile
Very little is known about the early childhood of Ezra Ruell
As far as he claims to recall, he's been an entertainer in an underground fight club, where he would perform dangerous acts between different shows
As he got older, he started performing as the main event, fighting an increasing number of rabid dogs who've been trained to fight
He has trouble recalling events and durations given he had no access to sunlight for much of his life
Eventually, it was too much even for his body; As his body gives our under the mountain of claws and teeth, one dog bites into his neck very deeply
As he recall it, he felt a new vector of motion unlock for him, as if he had his hands bound his entire life, and he doesn't recall the rest
He apparently had a form of blackout and woke up in police custody
That day became history in the city he was in. After prolonged sounds of screaming and terror, the police found the fight club; many bodies shredded to a degree that it took forensic experts weeks to determine their identity
And in the middle of the slaughter, almost like a blooming flower, they found Ezra, unconscious
After extended psychological tests it was determined he's not criminally liable in lue of "Insanity". He was later integrated into the circus as a form of 'rehabilitation' into social circles, hoping to make him functional again
Among the many quirks that inhabit Ezra, his 'stand' is the biggest one
He has the executive ability to manifest a mental extension of himself which can freely move through space and alter objects physically. Along with this, certain mental, telepathic abilites and space time manipulation has been cited

Rabid heart
| Field | Info |
|---|---|
| Stage name | Hound of chains |
| Age | NA |
| Pronouns | It/Its |
| Height Weight | 196cm/6'5" 98kg/216lbs |
| Temperament | Choleric-Sanguine (Feisty) |
| Personality type | ENTJ |
| Circus Act | Mentalist |
| Relation to partner | Apparent puppet |
| Note | Incredibly child unfriendly |

Ezra
| Field | Info |
|---|---|
| Stage name | Last bout |
| Age | 23 |
| Pronouns | He/Him |
| Height Weight | 178cm/5'10" 54kg/119lbs |
| Temperament | Phlegmatic-Choleric (Feisty) |
| Personality type | ISTP |
| Circus Act | Escape artist |
| Relation to partner | Apparent puppet master |
| Note | Howls when very excited |
It is not fully understood the extent of physical and mental abilities that Ezra's "Rabid Heart" posesses; Or how many of them are physical and how many are forms of illusion
These mental projections of one's inner power, 'stands' seem to have certain static characteristics; Destructive power, Speed, Range (Inversely proportional relation to destructive power), Durability/Stamina, Precision and development potential
While compared to other classes of stands rabid heart is weak (sporting a B, C, B, D, D, A respectively), his power is uniquely very dependant on his abilities
These are Rabid heart's abilities as described by Ezra
'Hunt' Describes Rabid Hearts tendency to see an increase in all stats as the "targets" becomes more scared and starts producing adrenaline
'Howl of chains' is Rabid heart's unique howl, which produces a very distinct sound that seems to encase any listener with a very deep feeling of dread
'Dogmatic arena' is the pocket dimension Ezra can produce on immense stress or pain, which allegedly has many eyes and teeth which chomp out of any being put within. While never directly observed, Ezra seems to have the ability to selectively 'walk' this pocket dimension on will, and is not affected by the chomps
It is currently not understood how conscious Rabid heart is at all, but Ezra seems to have a different personality while its manifested which is proxied as its own
Role in the circus
Ezra himself is an escape artist. He has an exceptional ability in quick thinking and finding ways out of tight and difficult confinements
Rabid hearts shows aren't very common for PR reasons, but if there are little to no children and vulnerable demographics present and Ezra already has a show, Rabid heart may perform too. His performance is essentially instilling fear into all the viewers which excites certain audiences
Interpersonal relations and circus policies
Ezra is not a very social person and Rabid heart is barely interacted with separately if ever. He seems to have a deep respect and sense of protectiveness for the circus, but he's very socially inadept and often needs supervision on what is ok and not ok to say/do in any given situation
Fortunately, he's very cooperative and does not resist learning too much

Rabid heart
| Field | Info |
|---|---|
| Stage name | Hound of chains |
| Age | NA |
| Pronouns | It/Its |
| Height Weight | 196cm/6'5" 98kg/216lbs |
| Temperament | Choleric-Sanguine (Feisty) |
| Personality type | ENTJ |
| Circus Act | Mentalist |
| Relation to partner | Apparent puppet |
| Note | Incredibly child unfriendly |

Silk
| Field | Info |
|---|---|
| Stage name | Gentle web-spinner |
| Age | 19 |
| Pronouns | He/Him |
| Height Weight | 155cm/5'5" 48kg/106lbs |
| Temperament | Melancholic-Phlegmatic (Cautious) |
| Personality type | ISFJ |
| Circus Act | Aerial contortionist |
| Relation to partner | Soothes restraints |
| Note | Sensitive to all spices |
Web of life and death
Background and pre-circus profile
Jude Mercer was born in a very poor family
As part of a militaristic project to fabricate super-humans with hightened physical and mental capabilities
The idea is by injecting fabricated 'organs' into the systems of developing children, they may be able to develop characteristics similar to the host of that organ
Spiders were particularly favoured due to their incredibly flexible physiology and the quiks of how they digest food outside of their stomach
select poor families with children of various age range where picked and given funds for testing of 'harmless vaccines'
Jude was pronounced dead and the family was reimbursed; were most of the children involved in the trials
His body took on the spider organ particularly well. but while he was still scared and figuring his new body over, he was put over intense physical and psychological tests
During a brief blackout, he manages to break free of his confines and live on his own
Due to the intense effect the organ's hormones have on his brain, his mirror have associated love of peers with the same parts of the brain that regulate hunger and palate
As a result, he's unable to psychologically eat anything but human flesh, which after long periods of starvation fragmented his mind into two distinct identities
Silk, as he's later coined to be. the core identity and Sickle, the drive to solve hunger

Sickle
| Field | Info |
|---|---|
| Stage name | Vera Venin |
| Age | 19 |
| Pronouns | He/Him |
| Height Weight | 209cm/6'10" 48kg/106lbs |
| Temperament | Choleric-Sanguine (Feisty) |
| Personality type | ESTP |
| Circus Act | Predatory act |
| Relation to partner | Protector/Feeder |
| Note | Avoid reflections/mirrors |

Silk
| Field | Info |
|---|---|
| Stage name | Gentle web-spinner |
| Age | 19 |
| Pronouns | He/Him |
| Height Weight | 155cm/5'5" 48kg/106lbs |
| Temperament | Melancholic-Phlegmatic (Cautious) |
| Personality type | ISFJ |
| Circus Act | Aerial contortionist |
| Relation to partner | Soothes restraints |
| Note | Sensitive to all spices |
While many of Jude's physical characteristics are improved, some of them are conditionally disabling; A good example of this is his vision
The eyes that are facially located are not functional anymore, but the 8 that have grown out of his head function well
A unique attribute of this is how he covers his eyes with his hair while he's interacting with strangers, both for safety and acceptance
Another unique characteristic of him is his spider legs. He's learned to connect them together which increases their dexterity and makes the blades' placement more defensive; While sickle prefers them separate and blades extended
Role in the circus
Due to the unpredictability of his fragmented identity, each part in his mind is treated as a separate performer for safety and efficiency purposes
Silk, stage name "The gentle web-spinner" does unique aerial contortion acts using his webs; While he's technically fully blind while performing, so he relies on differences in air pressure and spacial awareness similar to Vae
Sickle's act is very dangerous and only performed in occasions
It revovles a custom dome which encases him with many robotic targets that have
The entertainment value is how brutally he rips apart what is infront of him
Make sure there are no mirrors or reflective surfaces in which he can see himself in, which causes intense fragmentation and mental agony
Interpersonal relations and circus policies
Silk is generally very timid and softspoken. He tries his best to be cooperative. He does not handle most medical conversations well, so everyone tries to avoid talking about them with him around; Same goes for parental conversations or mentions of food
Sickle's interactions long and short are in his feeding. Silk is unable to stomach eating humans so he takes over for him. He's not malevolant in nature, but anyone interacting with him needs to respect his boundaries and be wary of him
He doesn't speak to anyone in anyway, but he does have a rudimentary form of body language

Sickle
| Field | Info |
|---|---|
| Stage name | Vera Venin |
| Age | 19 |
| Pronouns | He/Him |
| Height Weight | 209cm/6'10" 48kg/106lbs |
| Temperament | Choleric-Sanguine (Feisty) |
| Personality type | ESTP |
| Circus Act | Predatory act |
| Relation to partner | Protector/Feeder |
| Note | Avoid reflections/mirrors |

Cher
| Field | Info |
|---|---|
| Stage name | Glass feathers |
| Age | 15 |
| Pronouns | He/Him |
| Height Weight | 147cm/4'10" 43kg/95lbs |
| Temperament | Melancholic (Cautious) |
| Personality type | INFP |
| Circus Act | Tightrope over water |
| Relation to partner | Mortal heart |
| Note | Real name Acheron Harlow |
Wrath-bound grace
Background and pre-circus profile
Acheron Harlow (Nicknamed and called Cher hereonafter to avoid confusion) is allegedly the half breed child of an angel and a human
His father could not stay and his custody became of his mom and later stepdad
Cher was abused and mistreated for not being a normal human child
Among many of his quirks and oddities, he has large wings that he's come to try hiding
His dad had expected Cher's difficulties integrating into human life, so he eventually tethers a guardian to Cher, which keeps him company; Vae illi (Nicknamed and called Vail hereonafter to avoid confusion)
Cher's only friend had always been vail, but vail is ultimately a pure blood angel; something which Cher is not
When Cher turns 14, he decides to suicide due to the pain inflicted to him from having to live as a looked down upon halfbreeds, as he felt like he had nowhere to belong to. Both worlds have seemingly abandoned him
But Vail, upon feeling the mental pain Cher have been going through on a physical level, decides to start getting more involved with Cher's life and choices
As Vail takes over, choosing to physical incarnate at certain points, he starts by getting rid of Cher's biggest source of pain, his parents
Cher, distraught by what he sees, forces Vail to only ever manifest when absolutely, unequivocally necessary
Of course, that's at Vail's discretion, which is where the friction between them happens on an emotional level
As intellectually divine Vail is, he tends to fail and misread the complexity behind human feelings and interactions; The fact his only experience to take from was the very abusive parents of Cher does not help this at all
The problem lies in how truly powerful vail is in executing his 'judgement'

Vail
| Field | Info |
|---|---|
| Stage name | Blinded seraph |
| Age | NA |
| Pronouns | It/Its |
| Height Weight | 226cm/7'6" 162kg/357lbs |
| Temperament | Choleric-Melancholic (Cautious) |
| Personality type | INFJ |
| Circus Act | Illusionist & Pyrotechnics |
| Relation to partner | Divine spear |
| Note | Real name Vae illi |

Cher
| Field | Info |
|---|---|
| Stage name | Glass feathers |
| Age | 15 |
| Pronouns | He/Him |
| Height Weight | 147cm/4'10" 43kg/95lbs |
| Temperament | Melancholic (Cautious) |
| Personality type | INFP |
| Circus Act | Tightrope over water |
| Relation to partner | Mortal heart |
| Note | Real name Acheron Harlow |
Cher seems to possess some form of healing and telepathic abilities; He however strongly insists on denying this
Both Cher and Vail fashion large non-vanity wings which lets them be mobile through propolled flight; Although Cher tends to not not use his wings as much as possible
The exact extends of Vail's powers are not understood, but he has a strong inclination towards Cher and tries to listen to him
He appears fully blind, but he does have full spatial awareness that extends through walls and obstructions
Role in the circus
Cher's role consists of his signature 'Angel's descent' whereby he descents slowly using his wings to glide down onto a thin rope that's leveled with a body of water. He then gracefully walks over it without using any rigging or balancing mechanism as his wings help him balance
Vail's role is a dangerous show of his power using fire and lights
It consists of him walking through fire as multiple decoys of him made of light attack him, which he deflects and 'defeats'
Despite the safety concerns, he's apparently not affected by fire in anyway and his decoys are spawned by himself
Interpersonal relations and circus policies
Cher has a really good relation with Acheron, they spend a lot of time together
While Cher is not typically comfortable around many people, he's been seen allowing Acheron to do certain intimate acts with him (Touching his wing, hugging etc.)
It's been deemed unharmful and allowed as far as it helps Cher and Acheron to stay emotionally stable
Vail does not typically speak with anyone unless needed
He seems to only really stay in the circus because it makes Cher happy; Although he has an ambigous affliction based on some form of 'recognition' with Vae

Vail
| Field | Info |
|---|---|
| Stage name | Blinded seraph |
| Age | NA |
| Pronouns | It/Its |
| Height Weight | 226cm/7'6" 162kg/357lbs |
| Temperament | Choleric-Melancholic (Cautious) |
| Personality type | INFJ |
| Circus Act | Illusionist & Pyrotechnics |
| Relation to partner | Divine spear |
| Note | Real name Vae illi |
Haha get flash banged
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